xo-skeleton:

Kazuo Ohno, Water Lilies. Photo by Nourit Masson-Sekine.

xo-skeleton:

Kazuo Ohno, Water Lilies. Photo by Nourit Masson-Sekine.

(via epilepsyblues)

I can see that you’re driven to the edge of collapse, so let go of yourself completely; surrender to the flow. Why not ask for help rather than shut yourself off? What does it matter if your posture pleads for help or beg for support?

Kazuo Ohno (via gustavothomas)

(via epilepsyblues)

ostanine:

Kazuo Ohno Photographed by Eikoh Hosoe

ostanine:

Kazuo Ohno Photographed by Eikoh Hosoe

(via yuugao)

The more I perform the more convinced I’ve become that we ought to share our inner life with others.

Kazuo Ohno (via gustavothomas)

(via epilepsyblues)

speakingparts:

Kazuo Ohno

speakingparts:

Kazuo Ohno

(via jellyfish-dance)

tisntat:

Kazuo Ohno, 1980 | by © Eikoh Hosoe

tisntat:

Kazuo Ohno, 1980 | by © Eikoh Hosoe

(via jellyfish-dance)

epilepsyblues:

Kazuo Ohno

epilepsyblues:

Kazuo Ohno

(Source: thomasdavis, via jellyfish-dance)

(Source: danceisdance, via jellyfish-dance)

clavicola:

Kazuo Ohno, Water Lilies, 1987. Photograph by Nourit Masson-Sekine. “Steps of the dead carrying love, bewilderment of the dead searching for love.”

clavicola:

Kazuo Ohno, Water Lilies, 1987. Photograph by Nourit Masson-Sekine. “Steps of the dead carrying love, bewilderment of the dead searching for love.”

theme by m